Marfa Carpenter / MCSq2
Max Caspar and I were at Kunstfarm together, he left the year before me.
I collaborated on one of his performance installations, it was based on the “Faustus” story, Faustus sells his soul to the devil for knowledge, that was Max’s commentary on Kunstfarm—In a warehouse, an illegal space probably. I shot video for that, but I don’t remember much except my clothes were covered in oil afterward, motor oil. I doubt I still have [the video].
Was it successful conceptually? Well, it was Max’s piece.
JACKSON AIRD, reality studies adjunct, Kunstfarm
